Friday, June 21, 2013
Topping Paints the Peugeot - The Illustrations
The illustration for Topping Paints the Peugeot were created by Todd Balthazor. Todd became part of this project through James O'Brien and Todd is THE most patient of all the Bartholomew artists. Todd's work came to me at a time when life was a bit hectic. Every time we communicated I think I took at least two weeks to respond. I was a very bad... artist hirer... or whatever I am in relation to Todd. But Todd was persistent and The Book of Bartholomew got a good illustration.
Here you see Topping painting Bartholomew's car, the 1974 Peugeot. By the end of the story, Topping completes the car, but we don't get to see what it looks like. I insisted that Todd not give away the design Topping created. It will be a surprise to the reader as much as it is to Bartholomew.
To see more of Todd's fine work, check out his website at: www.toddbalthazor.com. To all of Todd's work on Topping Paints the Peugeot, check out the story when it is published this Friday, October 7 at
Wednesday, June 19, 2013
Topping Paints the Peugeot - Story
This story is about the attraction men have to working hard, of pouring themselves into their work. Topping finally gets a chance to paint Bartholomew's car, a 1974 Peugeot. This story does not reveal the final product. It is about the process, the relationship Topping has with the car while he is painting it. Charlotte doesn't understand Topping's obsession with the car and feels left out. It is always a balance to do the activities you want to do in this world and spend time with your partner. It is especially difficult when your partner doesn't understand what you are doing and why. Here is an excerpt from Topping Paints the Peugeot which will be published at The Book of Bartholomew on Friday, June 21, 2013:
He came home well after midnight, had some leftovers from the refrigerator and headed to bed. Charlotte did not wake. Topping's sleep was fitful as images of the design waged war in his head. He was up for good before the alarm went off. He got out of bed, had a quick breakfast and headed back to the shop.Topping arrived just as Uncle Cy was turning on the lights. Uncle Cy spent some time looking over Topping’s paint job. He nodded his head in approval. This gave Topping a little extra spring in his step for the rest of the morning. He went to a table at the back of the shop, grabbed some masking paper, pulled off part of the backing and headed to the hood of the Peugeot. He carefully secured the first sheet onto the car. There could be no wrinkles. His hands could feel the sheet adhere to the surface below it, inch by inch, centimeter by centimeter. Not a wrinkle. If he sensed a possible wrinkle starting, he would pull the paper back slightly, caress it to the surface and seduce it into place. The paper had no chance to object, it wouldn't dare. This dance went on for a long time. Upon loving the last sheet into place, Topping stepped back and realized he was sweating, exhausted and hungry. He could now leave the Peugeot in this state until the next step: drawing the design right onto the car.He went home for lunch and to take a nap. He woke up about the time Charlotte got home from work.“Where were you last night?” Charlotte asked, obviously a little mad.“I was at the shop, working on the Peug..., on Bartholomew's car.”“It would have been nice to get a call or something.”“I'm sorry, I was just into it and didn't notice the time passing,” apologized Topping.“I don't like it when the only clue I had that you were even here last night was your cereal bowl in the sink,” said Charlotte as she hung up her coat.“I'm sorry, I just had the car on my mind and I wanted to get right back at it this morning,” Topping said as he moved to the kitchen to get something to eat.“Are you making supper?”Topping, not having even thought about what he was doing, stammered,, “Uh...uh...”“Oh never mind,” Charlotte groaned.Topping pulled out some leftovers, enough for him and Charlotte, and threw them in the microwave. He grabbed a couple of glasses, some leftover salad and placed it all on the table. The microwave beeped. “I have some food ready, if you want,” yelled Topping back to Charlotte who had retreated to the bedroom. No response.Topping sat down at the card table and started to eat. He was almost done when Charlotte arrived. She sat down roughly in her folding chair and then picked at the now-cold food. They ate in silence. Topping finished his food, took his plate and bowl to the dishwasher and then served himself some ice cream. “Want some?” he asked. No response. Topping sighed.After they were done eating, Charlotte asked, “Are you going back tonight?”“I was thinking of it,” he said. No response.“Look, I'm really worried about this job. It's the biggest one I've ever done and I'm changing the design on the fly...”“You're changing the design?! You spent two months working on that design! And now you're changing it? Does Bartholomew even know? Never mind Bartholomew, you spent how many nights working on that design instead of hanging out with me, and now you're changing it? Boy, that makes me feel good!”“No,...I...Agghhh!” said Topping. “I'm just trying to do a good job! It could lead to more work. I want Bartholomew to be happy....”“Fine, make Bartholomew happy. In the meantime you're making me unhappy.” Charlotte stood up and went to the bedroom.Topping put on his shoes and got ready to go to the shop. But then he thought maybe he should stay home and do something with Charlotte. He certainly didn't feel like doing that now. Topping sat perplexed. In the end, he knew he wanted to be working on the car, so he left and went to the shop. He was hoping Uncle Cy would still be there so he could talk with him about Charlotte, but he was already gone.
Friday, June 14, 2013
#26 Sowing Plans
Aunt
Josephine placed a tray of food on the coffee table and then sat back on the
couch next to Uncle Jeffrey. Charlotte,
Topping, Claire and Ned sat on the dining room chairs while Mr. McBardon,
Bartholomew's elderly neighbor, wearing a plaid shirt, sat in a plaid stuffed
chair with Oliver on his lap.
Bartholomew came out of the kitchen carrying a tray with a pitcher of
lemonade and glasses. One of his phones
(he owns twelve) began to ring. He
didn't want to interrupt the meeting, so he let it ring. Soon the group was surrounded by rings of
different tones.
“How many
phones do you have?” asked Claire.
“Bartholomew
has twelve phones. He has trouble turning down a deal,” said Aunt Josephine.
Bartholomew
blushed and changed the subject. “Okay,
has everyone met everyone?” They went
around the circle and introduced themselves to Mr. McBardon who was the only
stranger.
“Well, I
thought, before we talk about what plants we want to grow, we could discuss the
layout or design of the garden and those types of things,” said Bartholomew.
Uncle
Jeffrey spoke up immediately, “Bartholomew, I'm a little concerned about the
property the garden is going to be on.
Do you know who owns it? Is it
city or railroad owned? I'm thinking we
really should get permiss...”
“No need,”
interrupted Mr. McBardon. “I've lived
next to that property for forty years.
Ain't nobody done nothing to it in all this time. I say garden it and see if anybody even
notices. If you go asking permission, you
know what's going to happen –nothing but trouble.”
“That may
be, but I would feel more comfortable if we had permission, instead of just
forging ahead,” said Uncle Jeffrey.
“Why don't
we get started and before we dig Bartholomew can check into it?” suggested Mr.
McBardon.
“Yeah,”
said the others as they nodded their heads.
“Okay,”
conceded Uncle Jeffrey, “But Bartholomew, do make sure you check.”
“I will,”
assured Bartholomew. “All right, next
thing I am wondering is if we all want our separate plots or if we want to grow
stuff together? It might be easier if we
grew enough tomatoes for everyone and grew them all next to each other. Then do the same with peas, and beans, etc.”
Mr.
McBardon ran his hand through his thinning white hair and seemed agitated. “I want my own plot. You all can grow things together if you want,
but I want my own plot for my own stuff.
I want my own plot.”
Everyone
raised their eyebrows at Mr. McBardon's insistence. “Okay, what do other people think?” asked
Bartholomew.
Everyone
else liked the idea of growing all of their food together. This was the first time most of them had
grown food, so there were no expectations.
Aunt Josephine and Uncle Jeffrey commented that it would be fun to grow
it all together. They had grown a few
things in their yard but nothing on this scale.
So it was agreed that almost everyone would grow their food together but
Mr. McBardon would have his own plot.
“Okay, so
what do we want to grow? After we figure
that out we can determine where we will plant everything. Any suggestions?”
Claire took
a carrot stick from the tray dipped it and bit into it. Loud crunching sounds emanated from her
mouth.
“I think
Claire wants carrots,” joked Topping.
Claire
nodded her head and smiled while she chewed.
“Okay,
carrots,” said Bartholomew. “Anything
else?”
Aunt
Josephine spoke up, “Well, I would like some peas and beans. They are early vegetables so we would have to
start them soon. I'm a little worried
about vermin getting to them. When I was
little, rabbits and squirrels would eat the peas before they could grow.”
“Not to
mention the rats that might be along the railroad track,” said Mr. McBardon.
Charlotte
let out a little squeal at the thought of rats.
“I'm sure
there aren't any rats along the tracks,” assured Uncle Jeffrey.
“Just so,”
said Mr. McBardon, “I can put my plot out closest to the railroad tracks and
plant a big hedge of plants so they can't get through. And there's that little dog that's been
hanging around humping everything. It
might dig up the garden.”
There was a
pause in the conversation as everyone wondered how a hedge of plants could keep
out rats. Mr. McBardon just sat there
chewing on his upper lip with his bottom dentures.
Changing
the subject, Bartholomew said, “If you don't mind, I would like to grow cherry
tomatoes, and some big tomatoes, three different kinds of lettuce, kale, three
kinds of green beans, peas, potatoes,...”
Topping noticed Bartholomew's whole body become energized while he
talked about the vegetables he wanted to plant.
His hands were moving differently for each vegetable he mentioned. He was standing and moving from side to
side. His eyes were looking at everyone,
excited to engage and share his vision.
Topping almost laughed out loud.
“...and celery, beets, and sweet potatoes. I think I also want to grow some green onions
and maybe try out some artich...”
“I'm done,”
announced Mr. McBardon as he got up from the chair, dumping Oliver
unceremoniously to the floor. He
shuffled to the door and walked out without saying goodbye. A moment later everyone in the living room
let out a little laugh.
“How old is that guy?” asked Topping.
“I don't
know,” said Bartholomew.
Uncle
Jeffrey quickly interjected, “He's got to be eighty-eight years or so. He might be needing our help with gardening
this summer. I'm not sure what he is
capable of. So, be kind. I think this garden means a lot to him.”
“Yes,”
added Aunt Josephine, “I think he is excited to do something active, something
he used to do when he was younger – not so close to the end.”
“I'm
worried I'm going to find him dead in the garden,” said Claire.
“Oh,
Claire, how could you?” scolded Charlotte.
Topping, Bartholomew
and Ned laughed. Bartholomew had noticed
Ned was not very engaged in the meeting.
He sat quietly next to Claire.
“Hey, Ned, what do you want to grow?” asked Bartholomew.
“Oh, I
don't care. I'll just help you guys out
where I can and then bring some stuff home now and again. I don't really know what I would eat. I'll just help.”
The group spent the next half hour
plotting out where they would grow everything.
Mr. McBardon's plot was put out toward the railroad tracks. There were so many vegetables Bartholomew
wanted to grow that he had his own plot for the vegetables other people were
not interested in. Topping had a fence,
a tool shed and a sitting area in his design for the garden. Everyone decided to wait to install those the
second year, if there was one. Topping
also had identified a spot for Claire's chickens, if the garden ever became
that established. Claire was elated that
Topping thought of her chickens.
Charlotte was slightly annoyed that Topping thought of Claire's chickens. Finally, it was decided that Bartholomew and
Uncle Jeffrey would buy the seeds and plants in ten days and everyone would
prepare the garden and plant it in two weeks.
Once they
were done with the planning of the garden, Topping asked Bartholomew if they
could talk for a minute. They carried
the food and lemonade into the kitchen.
“What's
up?” asked Bartholomew.
“I need
your car. Uncle Cy's shop has an opening
and I need to have your car in the next day or two so I can paint it.”
“Oh yeah...,
my car,” Bartholomew said with some hesitation as he peered into the living
room to see where Uncle Jeffrey and Aunt Josephine were.
“You still
want to get it painted, don't you?” asked Topping.
“Yes, of
course, I just...”
Uncle
Jeffrey and Aunt Josephine walked in to the kitchen and started putting things
away.
“So, I can
pick up your car on Tuesday? I'll have
it back to you by the time we plant the garden,” said Topping.
“Is this
about painting your father's car?” asked Aunt Josephine.
“Bartholomew,
you know we don't approve of your painting your father's car like this,” added
Uncle Jeffrey.
“Yes,
painting it a color is one thing, but flames?
Your father would turn over in his grave,” said Aunt Josephine.
“Bartholomew,
as I told you, the car is not a collector's car or an antique, but it is rare
around here and it is in very good condition.
I don't want you doing something to it that would...ruin it somehow,”
warned Uncle Jeffrey.
“I don't
have to paint it,” offered Topping.
“No,” said
Bartholomew. “I want you to paint
it. I can't stand that pink stripe down
the side. And I want it looking cool –
with flames. Uncle Jeffrey and Aunt
Josephine, I have seen the drawings Topping has made and he is a very good
artist. You would be impressed, too, if
you saw them. Topping is a good car
painter. I want him to do it.”
“Well, I
wish you would reconsider. But it is
your car. We can't force you to do
anything you don't want to,” said Uncle Jeffrey. Then he and Aunt Josephine left the kitchen
to straighten the living room.
“You sure
you want to do this?” asked Topping.
“Yeah,
absolutely,” responded Bartholomew.
“And you
want flames?” asked Topping.
“Absolutely,”
said Bartholomew.
Topping
couldn't help but sense that Bartholomew was not so keen on the flames. His agreeing to flames seemed more out of a
sense of duty – that he wouldn't go back on his word. Topping thought of the excitement and
anticipation he saw in Bartholomew's eyes when he talked about growing vegetables. That's what he wanted to see in Bartholmew's
eyes when they talked about painting flames on his car.
“I've been
thinking,” said Topping, “would you mind if I changed the design some? There are some changes I think you would
like. I don't have time to sketch them
up and show you.”
Exasperated,
Bartholomew said, “These changes aren't because of Uncle Jeffrey and Aunt
Josephine are they?”
“No, not at
all, they have nothing to do with them.
It's just that I think you would like a few changes from what we
originally planned. It's not much. Trust me.”
Bartholomew
eyed Topping with uncertainty.
“Trust me.”
______________________________________________________________________
Sowing Plans is the 26th story in The Book of Bartholomew.
The story is written and illustrated by Mark Granlund.
Bartholomew and his friends gather to plan the garden. They are joined by an odd neighbor named Mr. McBardon.
Tuesday, June 11, 2013
Sowing Plans - The Story
Sowing Plans finds Bartholomew, his aunt and uncle and his friends planning the garden they are going to plant. They are also joined by an elderly neighbor named Mr. McBardon. Sometimes elderly people can be a little strange -- they can be direct without being detailed. This can be confusing or at least seem odd. Many people pick up traits, ticks or habits over the years that
have become divorced from their origins and now seem very strange. Sometimes we need to be reminded that everyone is doing the best they can in this life, even when we can't understand where they are coming from. Do we think badly of these people? Do we give them room to be themselves?
Here is an excerpt from Sowing Plans that will be published this Friday at The Book of Bartholomew.
Here is an excerpt from Sowing Plans that will be published this Friday at The Book of Bartholomew.
“All right, next thing I am wondering is if we all want our separate plots or if we want to grow stuff together? It might be easier if we grew enough tomatoes for everyone and grew them all next to each other. Then do the same with peas, and beans, etc.”
Mr. McBardon ran his hand through his thinning white hair and seemed agitated. “I want my own plot. You all can grow things together if you want, but I want my own plot for my own stuff. I want my own plot.”Everyone raised their eyebrows at Mr. McBardon's insistence. “Okay, what do other people think?” asked Bartholomew.Everyone else liked the idea of growing all of their food together. This was the first time most of them had grown food, so there were no expectations. Aunt Josephine and Uncle Jeffrey commented that it would be fun to grow it all together. They had grown a few things in their yard but nothing on this scale. So it was agreed that almost everyone would grow their food together but Mr. McBardon would have his own plot.“Okay, so what do we want to grow? After we figure that out we can determine where we will plant everything. Any suggestions?”Claire took a carrot stick from the tray dipped it and bit into it. Loud crunching sounds emanated from her mouth.“I think Claire wants carrots,” joked Topping.Claire nodded her head and smiled while she chewed.“Okay, carrots,” said Bartholomew. “Anything else?”Aunt Josephine spoke up, “Well, I would like some peas and beans. They are early vegetables so we would have to start them soon. I'm a little worried about vermin getting to them. When I was little, rabbits and squirrels would eat the peas before they could grow.”
“Not to mention the rats that might be along the railroad track,” said Mr. McBardon.Charlotte let out a little squeal at the thought of rats.“I'm sure there aren't any rats along the tracks,” assured Uncle Jeffrey.“Just so,” said Mr. McBardon, “I can put my plot out closest to the railroad tracks and plant a big hedge of plants so they can't get through. And there's that little dog that's been hanging around humping everything. It might dig up the garden.”There was a pause in the conversation as everyone wondered how a hedge of plants could keep out rats. Mr. McBardon just sat there chewing on his upper lip with his bottom dentures.
Friday, June 7, 2013
#25 Claire Speaks Out
“Isn't this exciting?” chirped Charlotte to Claire who smiled nervously back.
“Yeah,”said
Topping, “I think it's great you have gotten into this spoken word thing. It's so cool.”
Claire
blushed, but not for long as her mind refocused on memorizing her words.
Ned sat
beside Claire, and Bartholomew settled into a seat behind Ned and put his hand
reassuringly on Claire's shoulder.
Claire didn't acknowledge the support but kept rehearsing silently.
The theater
was packed. Except for a handful of
performance veterans and a few parents, it was wall to wall young people. Busy voices buzzed as the vibe of good energy
and hormones pushed to the ceiling. The
room darkened, the crowd hushed only slightly and a middle-aged Latina woman
walked to the mic.
“Welcome to Slam104!” A cheer went up from the crowd. The woman on stage waved at people in the
crowd she knew and waited for the cheer to come down. “I am 'Rissa...” another cheer, “and I want to thank you all for coming out
tonight to help us celebrate the power of our voices.” Another cheer went up from the frothing
rolling and boiling sea of youth.
“Tonight we have some amazing talent lined up for you. Some are veterans, some have been performing
for a short while and some will perform for the first time. At Slam104 we work to bring a voice to those
who often don't have one and to those who need one. If you are interested in becoming a part of
our community, you can talk with me afterward or talk with Tony Curtis. Tony, stand up.”
A big man
in the front row wearing a colorful sweater and a leather hat stood up and
raised his arm to the crowd. A cheer
went up. He sat down and 'Rissa
continued. “Alright, let's get this
party started!” A big cheer. “Let's give it up for our first performer who
comes from right here in this neighborhood, JoJo!” Clapping and cheering greeted a young petite
woman to the stage.
“I am JoJo
and I am sad this day – and every day.
Cuz when I
walk down my street I wonder which way I should turn.
Turn like
you, turn like me, turn like those who don't want people to turn.
All I know
is I must turn. So I turn and I turn and I turn until I....”
JoJo's
performance continued and faded in and out of Claire's consciousness. “Turn, I turn, must turn,” thought Claire's
brain. Next up was a young man named
Mouse. He wore thick-framed glasses and
a cotton print flower shirt. His
performance was punctuated by rhythmically yelling “burn it down, build it up!”
fifty times and then bowing his head and leaving the stage. The crowd cheered loudly. “Burn it up, build it down,” seeped into
Claire's brain.
The next
several performances drifted through Claire's internal perfomance. She’d ocassionally snag a line or phrase on
the rough surfaces of her concentration.
Her friends were enjoying themselves.
Topping and Charlotte seemed to be having the most fun, yelling and
cheering for most of the performers.
Bartholomew liked some of the performances more than others and would
lean forward and say something to Ned after most of them. Ned responded by nodding in agreement or by
laughing. Ned, for his part, found most
of the performances a bit tedious. He
couldn't understand why everybody was yelling their lines. They all seemed angry.
Tony Curtis
walked up to the mic. The theater
hushed. In a strong calm voice he began:
“I am a
man.
Sure as you
are what you are.
I am large,
powerful. Do I intimidate you? Do I inspire you? I am a man.
I look over
this crowd and I see my past. I used to
dream, too.
Yes, I used
to dream, but I do not anymore. My past
is no comfort. I am a man.
I used to
dream of a Land of Promise, a place called Hope.
My dreams
have left me empty, though many have come true.
I am a man.
I see you
all taking the flame into your hearts, seeking to cross the Jordan.
I take
pride in your hope and your passion and... I... lift... you... up. I am a man.
My time has
passed, I no longer carry the flame.
Some would
call me cynical, some lazy. Perhaps I'm
jus' tired y'all. I am a man.
I am not
angry, I am not haunted, I am not lost.
I know who
I am. I no longer struggle and
question. I am a man.
I have
grown beyond the struggle you now take up – the struggle you use to define
yourself.
yourself.
When I look
at you I do not see 'the future,' I see what has always been and always
will
be. I am a man.
be. I am a man.
I see a
school of fish in a stream, one of many streams full of fish all heading to an
ocean full of even more fish.
ocean full of even more fish.
The ocean
you swim in is not made of water. It is
made of Love. I am a man.
To struggle
is to sharpen one's mind. To love is to
soften one's heart.
Youth is
drawn to struggle, but the Elders understand the true life is of love. I am
a man.
a man.
It has been
a long road to where I am and deviations were part of the journey.
Your
journey is just beginning, what deviations lay ahead no one knows. I am a man.
Sure as you
are what you are.
I am a
man.”
Tony
stepped away from the mic and his footsteps rang through the theater as he
walked to his seat. The silence lingered
like a thick soft frost clinging to tree branches. Little murmurs began to patter through the audience. 'Rissa came forward and leaned into the
mic. “Now, we have a first timer,
Claire.”
There was
tepid applause as people were still inside Tony's performance. Claire's friends, especially Charlotte,
patted her on the shoulders and gave her encouragement as she rose from her
seat. Tony Curtis smiled and gave her a
thumbs up as she made her way to the stage.
The mic was just a bit too high for Claire. She tried to adjust it but it wouldn't
budge. She cleared her throat and raised
up on her toes. She began:
“I, um, I,”
Claire flicked the hair out of her eyes and went flatfoot. “I mean, I can't imagine...oh, okay.” Claire searched for the first few words of
her performance. She was nervous but if
she could remember the first sentence she would be fine. Back up on her toes, she began:
“I can't
imagine what it will be like once this planet is done with us.
When I
heard the bluebird call, its sweet voice singing in my heart,
I loved
this world with its beauty and majesty and...”
Claire went
flatfoot her eyes looking inside her head for clarity. Back on her toes.
“...its
sweet voice singing in my heart,
I loved
this world with its beauty, majesty and heart.
The trees
sway in the wind and call my name.
Claire, Claire, Claire.”
Topping
adjusted his seat. Ned was heard giving
a sigh. Bartholomew sat quiet, his mind
drifting off to kale. The air in the
theater shifted, Tony Curtis' performance was very quickly gone and replaced
with something writhing in pain.
Charlotte beamed at Claire, devouring her every letter, her every
movement.
“I and the
world, this planet, are one.
You can't
tell me anything different. I know it is
true.
Chickens
and I have a million year history. We
speak the same language.”
Ned sunk
down in his chair. A quiet “ba-gaack”
was heard from the back of the room. A
few people laughed lightly. Claire did
not hear, the driver and pushers were in and heads down in this bobsled of a
performance.
“But they
did not care for you, oh Earth. No.
The Man
dissed you and choked you and raped you.
And his
henchmen and that stupid Mayor Dick laugh and spit on you.
They think
we cannot see, but I can! And I can hear
you, too!
Do you hear
me Mayor Dick? I can hear you.
I can hear
you like an atom bomb.
I can hear
you Mayor Dick! You are ruining the
thing I love!
You are
ruining me!”
Claire's
voice cracked. She was breathing heavy
and paused to compose herself... she did
not pause long enough.
“I HATE
YOU!! MAYOR DICK!!
I HATE
YOU!!! YOU ARE KILLING ME!!!
STOP
IT!! STOP!!”
Tears were
streaming down Claire's face, her nose was running. Her eyes pleaded with the audience to come to
her side, to join her in shouting down the horror that was Mayor Dick. The crowd was quiet.
“Remember
the chickens,” Claire said and left the stage.
She did not go back to her chair but walked out the side door and
collapsed on the loading dock of the theater.
Claire could not catch her breath and heaved heavy sobs into the dark
night sky.
“Cawww!” said an old friend. “Chickens?
What about me? Remember me?”
Claire's
mouth was so full of embarrassment she could not speak. So the crow did.
“Child! Still can't find your bridge, can you? You have no home. You have no...cawww!”
The crow
melted into the night as Charlotte came out the door. She said nothing and came to sit next to
Claire. Charlotte wrapped her in her arms –
and her friendship. There they sat, the
both of them. Both crying. A moment later, the guys were there. Bartholomew and Topping hopped down off the
dock and stood in front of Claire and Charlotte and joined the hug. Ned paused.
He stared blankly at her while his eyes looked inside his own head for
clarity. Then he knelt down, kissed
Claire on top of the head and put his arms around her. Cacooned in the flesh and bone of
friendship, Claire let herself melt into a blubbering puddle of anguish.
__________________________________________________________________________
__________________________________________________________________________
Claire Speaks Out is the 25th story in The Book of Bartholomew.
The story is written by Mark Granlund and illustrated by Meghan Hogan
Claire tries spoken word and ends up needing more than a little help from her friends.
Subscribe to:
Posts (Atom)




